early poems

Matthew Arnold

1840-1849

(A man of intellect and of spiritual sensitivity contemplates the purpose of life and its struggles.)

MunchMelancholyCrop of Melancholy (1894), by Edvard Munch.  This painting is in The Rasmus Meyer Collection at The Bergen Art Museum (now part of the KODE museum group in Bergen, Norway).

 

“Unwelcome shroud of the forgotten dead,/ Oblivion’s dreary fountain, where art thou”.  What a dark way to begin one’s poetical efforts, at 18 years of age!  And we need read no further to suspect (correctly) that in Matthew Arnold we are in for something very different from the Romantics, and quite different also from his Victorian contemporaries Browning and Tennyson.  The essence of the distinction is in his preoccupation with the meaning of life, and by extension death and the loss of faith.  This spiritual decline that disturbed him so much, often called the maladie du siècle or the “sickness of the century”, had been treated more seriously on the continent, while in England Wordsworth, Keats, and Shelley were grasping at Nature or the humanism of the Greeks for their spiritual anchor.  Arnold was a more melancholic, more skeptical poet, and doubted that the sickness could ever be cured, although he certainly loved the ancients (many of his early poems have classical subjects), and he also did look to nature for inspiration.  Even as a teen he presaged the Existentialists, and indeed much of the spirit of the twentieth century, in trying to devise a way to preserve our spirituality and sense of wonder while being brutally honest about our mortality and the fleeting nature of all human endeavor.  Matthew Arnold was a great poet not mainly because he was imaginative, spiritual, morally sensitive, and wonderstruck, nor on the other hand because he was freethinking, scholarly, and skeptical; he was great because he was somehow both of these sorts of people at once.  If his poetry could be said to have a single goal, it was to merge these two halves of his consciousness, the spiritual and the intellectual.

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Pliny’s Letters

Pliny the Younger

97-109 AD

(A wealthy lawyer reveals his personality and attitudes, and the way of life in Imperial Rome.)

PlinyAndMotherVesuviusCrop of Pliny the Younger and his Mother at Misenum, 79 AD, by Angelica Kauffmann (1785). Here Pliny dictates his most famous letter as he and his mother observe the eruption of Vesuvius. Courtesy of the Princeton Art Museum.

 

Many of us are acquainted with, or at least aware of, a certain species of lawyer, politician, or businessman.  At first we notice the more grating aspects of his personality.  He is near the top of his game, and can barely see beyond his own prosperity.  He knows a whole lot of people, many of whom are famous, and somehow he reminds us of this in nearly every conversation.  He loves to talk of his success stories, his valuable properties, praise he has received, and difficult decisions or tight places from which he has emerged victorious.  He is sensible of the fact that his reputation is what keeps him successful, and he has become entrained on reputation to such an extent that the development of it is unabashedly the single guiding force in his life, the basis upon which he makes all significant choices.  Maybe this is true for all of us to some extent, but what our bold tycoon doesn’t often realize that so ardently exhibiting a concern for reputation can actually harm your reputation.

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